![]() When one can discover the existence of aĬollective during any period in the development of an art form, it often ![]() ![]() ![]() Hugo Dyson, whose discussions on their shared interests in world mythology andĬhristian spirituality influenced their individual literary creations. Includes a number of well-known collectives, such as The Inklings, which It is a sign of gender equity in jazz being an ongoing challenge that all these collectives are either exclusively male or consist largely of male players more recent groups like Jazz Women and Girls Advocates and Women In Jazz Organization have begun to offer some much-needed balance. Recent decades of jazz history have included a number of formalized collectives, including the Jazz Composers Guild, Association for the Advancement of Creative Musicians, M-Base and more recently the West Coast Get Down, but earlier jazz history includes a number of less formalized collectives. Although jazz musicians are usually understood either as solo artists or members of bands, there is another important kind of relationship between them that sometimes escapes the attention of listeners and historians. Throughout the history of jazz, many players have belonged to musical collectives, groups that may include musicians who may perform together, but who gather primarily to exchange ideas about music and build a common repertoire and musical aesthetic, usually outside the functioning spaces and hours of the musical marketplace.
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